

kenzo wrote:less interesting characters

Guy Gardner & Booster Gold - I rest my case.LiQuid wrote:Less interesting than the cast of JLI? Bitch you must be crazy.kenzo wrote:less interesting characters

kenzo wrote:Guy Gardner & Booster Gold - I rest my case.LiQuid wrote:Less interesting than the cast of JLI? Bitch you must be crazy.kenzo wrote:less interesting characters



I thought about separating it, but I don't consider it a bitch-move because:comicsanddakine wrote:Kenzo! Your list for top New 52 books was good but kinda disappointed you pulled a bitch move by batching together family books.


comicsanddakine wrote:Kenzo, Liq, you are both right. JLI is awesome as a concept is dope and was at its peak, right before the crappy New 52 shit that I want to forget. JLA is appealing as its a team of oddballs like JLI but the creative behind should make it a compelling read. Kenzo! Your list for top New 52 books was good but kinda disappointed you pulled a bitch move by batching together family books.
Liq!! What is yours??

Roadie Brock wrote:The best incarnation of the JLI was in Justice League: Generation Lost!


Olympia wrote:is this a good place to start talking about how i can't stand grant morrison now? who cares. he's starting to make me feel physical pain. he makes me sick to my stomach.


Quillon wrote:I think Morrison basically jumped the shark with Final Crisis, which was borderline-unreadable claptrap. Bad enough that he wasted yet more of my time with Jack Kirby's tiresome DC Fourth World characters, but there just wasn't much point to the story.


Quillon wrote:Olympia wrote:is this a good place to start talking about how i can't stand grant morrison now? who cares. he's starting to make me feel physical pain. he makes me sick to my stomach.
I think Morrison peaked with JLA. Certainly it had all his hallmarks in spades: Big ideas, clever plot developments, negligible characterization. All-Star Superman is nearly as good.
Action and Batman, Inc. still have that "negligible characterization" quality, but the ideas have gotten smaller, and the plots just don't wow me anymore. But the real problem is that he seems to have completely lost his ability to pace his stories: They're all herky-jerky, "look this way! no, look this way!", meander all over the place without really going anywhere, and have no sense of drama. They're dressed up as if they're complex and challenging, and I guess the point is that he's playing around with story structure, but there's not really enough story under it all to justify it. (Batwoman has essentially the same problem.)
I think Morrison basically jumped the shark with Final Crisis, which was borderline-unreadable claptrap. Bad enough that he wasted yet more of my time with Jack Kirby's tiresome DC Fourth World characters, but there just wasn't much point to the story.

LiQuid wrote:Action certainly seems pretty phoned in, but Batman Inc is still cool, Y U H8'n?!
Olympia wrote:maybe I should go to morrison con, a once in a liftime experience only where the most brilliant minds in comics meet, where the con staff is called, the morrisons
LiQuid wrote:You actually suspect someone formulating coherent arguments of being a Brock alt?
Quillon wrote:LiQuid wrote:You actually suspect someone formulating coherent arguments of being a Brock alt?
I can't possibly be Brock, because I slammed Batwoman too!

Roadie Brock wrote:Actually I agree with you about Batwoman having the "herky-jerky" feel to it.
Quillon wrote:Roadie Brock wrote:Actually I agree with you about Batwoman having the "herky-jerky" feel to it.
I'm looking forward to receiving my royalty payments when you start using "herky-jerky" on the podcast!

Olympia wrote:my prize for all the shit talking i just did about morrison in this thread is my boss offering to fly me out to las vegas for morrison con
lol, oops

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